TY - JOUR
T1 - Synchronous sympathy at the symphony
T2 - Conductor and audience accord
AU - Nakra, Teresa Marrin
AU - Busha, Brett F.
N1 - Publisher Copyright:
© 2014 by the Regents of the University of California All Rights Reserved.
PY - 2014/12/1
Y1 - 2014/12/1
N2 - THIS STUDY COMPARED THE EMOTIONAL INTENSITIES of a conductor and audience during a concert of the Boston Symphony Orchestra. The affective state of the conductor was estimated unobtrusively with a wearable electrocardiogram, and audience participants selfreported their affective states with manual slider boxes. Results indicated that: 1) the conductor's heart rate variations were temporally aligned with structural patterns in the musical scores; and 2) these variations strongly correlated with the average emotional intensity measurement of the audience. Four consecutive musical selections yielded significant positive correlations (p < .001; r = .86, .84, .48, .61), demonstrating a temporally related emotional intensity shared between the conductor and audience during the performance. Although a causal relationship was not determined, some evidence supported induction as the mechanism of emotional communication. These results suggest possible methods for better understanding the affective experiences of conductors, the reactions of listeners to various stimuli, and the interactions between audiences and musicians during concerts.
AB - THIS STUDY COMPARED THE EMOTIONAL INTENSITIES of a conductor and audience during a concert of the Boston Symphony Orchestra. The affective state of the conductor was estimated unobtrusively with a wearable electrocardiogram, and audience participants selfreported their affective states with manual slider boxes. Results indicated that: 1) the conductor's heart rate variations were temporally aligned with structural patterns in the musical scores; and 2) these variations strongly correlated with the average emotional intensity measurement of the audience. Four consecutive musical selections yielded significant positive correlations (p < .001; r = .86, .84, .48, .61), demonstrating a temporally related emotional intensity shared between the conductor and audience during the performance. Although a causal relationship was not determined, some evidence supported induction as the mechanism of emotional communication. These results suggest possible methods for better understanding the affective experiences of conductors, the reactions of listeners to various stimuli, and the interactions between audiences and musicians during concerts.
KW - Affective synchrony
KW - Emotional responses to music
KW - Heart rate
KW - Slider box
KW - Wearable sensing
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U2 - 10.1525/MP.2014.32.2.109
DO - 10.1525/MP.2014.32.2.109
M3 - Article
AN - SCOPUS:84919400986
SN - 0730-7829
VL - 32
SP - 109
EP - 124
JO - Music Perception
JF - Music Perception
IS - 2
ER -